I don't think those are 'tunes' at all, in the normal sense, but rather what in the industry are called 'cues'.
There are two cues in that spot. They probably are called "Cue 1" and "Cue 2".
Unless (as often happens) the composer wrote a number of alternate cues for that spot, which were all recorded by the piper (probably Eric Rigler), so that the client could take his pick.
In that case they might have resounding titles such as "Cue 7" and "Cue 13".
Producers are very reluctant to use preexisting material, because it's far cheaper (both in the short run and especially in the long run) to have a composer write a cue that fits the scene rather than seek out a preexisting song/tune and have to pay royalties.
Even in cases where a producer really likes a preexisting song/tune they usually won't use it, but have the composer write a 'comp'.
They'll even use comps when they're 99% sure that the preexisting song or tune is PD... that 1% is too expensive a risk to take.
Last edited by OC Richard; 7th September 14 at 05:22 AM.
Proud Mountaineer from the Highlands of West Virginia; son of the Revolution and Civil War; first Europeans on the Guyandotte
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