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  1. #1
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    An old piece in modern colours

    Following a discussion on Weathered Colours in another thread I thought I'd post this picture as an example of just how confusing the whole dye terminology can be.

    Click image for larger version. 

Name:	Wilsons - Lochaber c1790.jpg 
Views:	21 
Size:	112.5 KB 
ID:	28003

    To many an eye these shades would conform to what we call Modern Colours i.e. those that are supposed to represent the darker chemical shades that came in with aniline dyes post 1855. However, this is a piece of Wilsons' Lochaber tartan and dates to c1800-20, a time before artificial dyes. This is a good example of the fact that natural, like any other dyestuffs, can be used to achieve a wide range of shades, it's just down to personal and customer preference.

  2. The Following 7 Users say 'Aye' to figheadair For This Useful Post:


  3. #2
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    Quote Originally Posted by figheadair View Post
    Following a discussion on Weathered Colours in another thread I thought I'd post this picture as an example of just how confusing the whole dye terminology can be.

    Click image for larger version. 

Name:	Wilsons - Lochaber c1790.jpg 
Views:	21 
Size:	112.5 KB 
ID:	28003

    To many an eye these shades would conform to what we call Modern Colours i.e. those that are supposed to represent the darker chemical shades that came in with aniline dyes post 1855. However, this is a piece of Wilsons' Lochaber tartan and dates to c1800-20, a time before artificial dyes. This is a good example of the fact that natural, like any other dyestuffs, can be used to achieve a wide range of shades, it's just down to personal and customer preference.
    Isn't the only difference here that Wilson's replaced their regular green shade with dark green? The purple, scarlet, and light blue look typical to me.

  4. #3
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    Quote Originally Posted by davidlpope View Post
    Isn't the only difference here that Wilson's replaced their regular green shade with dark green? The purple, scarlet, and light blue look typical to me.
    Nearly, but the blue is a true dark navy and not their purple. This is possibly (probably?) their 'dark blue' as opposed to their standard 'blue'. What's interesting is that neither darker shade is specified in the 1819 count, just the standard blue and green, which these aren't.

    The point of my OP was to highlight that such dark shades can be and were obtained from natural dyes contrary to what is often said of these dyestuffs.

  5. #4
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    Great thread, I too was following the other thread and find this technical stuff of great interest.. Keep it coming fellas!
    "Everything is within walking distance if you've got the time"

  6. #5
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    Quote Originally Posted by figheadair View Post
    Nearly, but the blue is a true dark navy and not their purple. This is possibly (probably?) their 'dark blue' as opposed to their standard 'blue'. What's interesting is that neither darker shade is specified in the 1819 count, just the standard blue and green, which these aren't.

    The point of my OP was to highlight that such dark shades can be and were obtained from natural dyes contrary to what is often said of these dyestuffs.
    Thanks. I agree completely. The notion that only pale, weak colors can be obtained by natural dyes is, as we say in the South, hogwash.

  7. #6
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    Quote Originally Posted by davidlpope View Post
    Thanks. I agree completely. The notion that only pale, weak colors can be obtained by natural dyes is, as we say in the South, hogwash.
    Exactly. Here's some of my own work with traditional natural dyes.

    Click image for larger version. 

Name:	Natural Dyes_sm.jpg 
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ID:	28063

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  9. #7
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    i think the only reason natural dyes appear lighter in color is without the uv protection of modern dyes they sun bleach easier

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