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  1. #1
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    Question All in the (Robertson) Family (the tartan, not the TV comedy)

    I own (and wear) 4 different Robertson tartan kilts. NONE of them are in the instantly-recognized Robertson Red (modern) tartan, because it's always just seemed to me to be just TOO MUCH RED:

    Click image for larger version. 

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    However, on the SRT website there's another red, this one containing a narrow white stripe placed between the pair of narrow green ones in the standard red. It looks more attractive to me, but I just realized that the online comparison may not be "fair" because the jpegs available there suggest the sett sizes may differ, and I have no way of knowing whether that's an artifact of electronic imaging or a real difference.

    Click image for larger version. 

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    I'm assuming that someone with an actual account on the SRT system would be able to look at thread counts and infer whether that difference is real in the fabric or not.

    I've read (on its placeholder page) that the STA will have an active website welcoming traffic in just a few more days, and that might be a place I could get this question answered, but I'm guessing that some of the knowledgeable folk here would be able to answer this simple question.

    And, of course, the reason it cannot be answered just by comparing swatches is because no one has woven the Robertson Red (white line) tartan for a LONG time.

    And, while we're at it, I have one other related question. There are also two "fashion" Robertson tartans that look TOTALLY different, giving MUCH more prominence to white and green. They were designed by DC Dalgliesh, and I find them attractive, too, but I have no idea whether with the demise of DC Dalgliesh they're restricted.

    One answer to my final questions might be "all you need to do is register an account at the SRT website, but as best I can tell doing so would cost me £ 85, and after I paid that I'd still have no idea what to do with the information, nor would I learn about restrictions on someone other than (perhaps) the purchaser of DC Dalgliesh's intellectual property (assuming someone has done so) being able to weave those Dalgliesh designs.

    Thanks in advance for any answers!

  2. #2
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    [QUOTE=jsrnephdoc;1414451]I own (and wear) 4 different Robertson tartan kilts. NONE of them are in the instantly-recognized Robertson Red (modern) tartan, because it's always just seemed to me to be just TOO MUCH RED:

    Click image for larger version. 

Name:	RobertsonRed-modern.jpeg 
Views:	5 
Size:	157.4 KB 
ID:	44758

    However, on the SRT website there's another red, this one containing a narrow white stripe placed between the pair of narrow green ones in the standard red. It looks more attractive to me, but I just realized that the online comparison may not be "fair" because the jpegs available there suggest the sett sizes may differ, and I have no way of knowing whether that's an artifact of electronic imaging or a real difference.

    Click image for larger version. 

Name:	RobertsonRed-whiteline.jpeg 
Views:	9 
Size:	172.8 KB 
ID:	44759

    I'm assuming that someone with an actual account on the SRT system would be able to look at thread counts and infer whether that difference is real in the fabric or not.

    I've read (on its placeholder page) that the STA will have an active website welcoming traffic in just a few more days, and that might be a place I could get this question answered, but I'm guessing that some of the knowledgeable folk here would be able to answer this simple question.

    And, of course, the reason it cannot be answered just by comparing swatches is because no one has woven the Robertson Red (white line) tartan for a LONG time.

    And, while we're at it, I have one other related question. There are also two "fashion" Robertson tartans that look TOTALLY different, giving MUCH more prominence to white and green. They were designed by DC Dalgliesh, and I find them attractive, too, but I have no idea whether with the demise of DC Dalgliesh they're restricted.

    One answer to my final questions might be "all you need to do is register an account at the SRT website, but as best I can tell doing so would cost me £ 85, and after I paid that I'd still have no idea what to do with the information, nor would I learn about restrictions on someone other than (perhaps) the purchaser of DC Dalgliesh's intellectual property (assuming someone has done so) being able to weave those Dalgliesh designs.

    Thanks in advance for any answers!

    I have no idea I am afraid, those details pass me by.
    " Rules are for the guidance of wise men and the adherence of idle minds and minor tyrants". Field Marshal Lord Slim.

  3. #3
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    Peter would have the full answers.

    The Setts of the Scottish Tartans (sorry Peter) says the one with the white line, and all the narrow flanking lines blue, appears in "early collections".

    Logan (1831) gives the version with the white line changed to red, and the narrow flanking lines alternating green and blue. (Your upper swatch keeps them all blue.)

    Now leaving Setts, the Wilsons 1819 Key Pattern Book gives a version with no white. It has three colours: Scarlet, Green, and the colour Wilsons called 'Purple' ("a dark Navy with slight reddish tint"). Wilsons' note says "This is the real Clan Donnachy or Robertson of Strouans tartan."

    Here's a quick computer-generated image of the Wilsons' Robertson thread count. I used the pale green sometimes seen with Wilsons tartans.



    About sett size, that's independent of the sett. The weaver takes the thread count and does the maths to scale it up or down to create the sett-size they want.

    You can purchase the Wilsons 1819 Key Pattern Book and get all the old Wilsons thread-counts, and The Setts Of The Scottish Tartans to get the thread-counts of the most commonly-seen Clan tartans.

    Armed with these and with a free online tartan generator you can create images of most of the older Clan tartans.
    Last edited by OC Richard; 6th April 26 at 07:28 AM.
    Proud Mountaineer from the Highlands of West Virginia; son of the Revolution and Civil War; first Europeans on the Guyandotte

  4. #4
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    Question Tartan sett

    Quote Originally Posted by OC Richard View Post
    About sett size, that's independent of the sett, and is merely the choice of the weaver.

    For example the pipers of some regiments wore three different sizes of Royal Stewart in their uniform including their pipes.
    My (apparently incorrect) understanding was that sett size was determined by the thread count and yarn weight, and that thread count was a major descriptor of a registered tartan. Is that not the case?

  5. #5
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    Quote Originally Posted by jsrnephdoc View Post
    My (apparently incorrect) understanding was that sett size was determined by the thread count and yarn weight, and that thread count was a major descriptor of a registered tartan. Is that not the case?
    Right, but say you're going to use finer thread which if you use the same thread-count results in a sett size smaller than you want. So you increase the thread-count to make the sett size come out bigger.

    In other words there's not a one-and-only thread count, there are as many thread-counts as weavers need to generate all the tartan weights and sett-sizes they want to create.

    They keep more or less the same proportions, but not necessarily exactly the same.

    Not being a weaver, the part that I don't fully understand is the number of "reeds" that the tartan will be woven using, which means changing the thread count.

    You see this all over the 1819 Key Pattern Book, because they're weaving the same tartan in different kinds of yarn, and creating tartan for various purposes.

    The easiest example in the KPB to give is Rob Roy for which 8 different thread-counts are given:

    S K (S=scarlet, K=black)
    85 86
    57 57
    34 34
    31 31
    156* 158
    128* 124
    106* 104
    80* 78

    (* I've added two Scarlet stripes together)

    42nd Royal Highland Regiment (Black Watch) tartan has 9 different thread-counts given, with the precise use of each written out:

    -Officers' Plaids
    -Sergeants' Plaids
    -Privates' Plaids
    -Coarse Kilts
    -Fine Kilts, Large Sett 4 green turns
    -Fine Kilts, Small Sett 7 green turns
    -Fine Plaids, 4 half-sets
    -Fine Plaids, 5 half-sets
    -Fine Plaids, 6 half-sets

    So, you say, wouldn't the soldiers' kilts and plaids be made from the same cloth, like we do nowadays?

    No, that wasn't how it was done in the Victorian Scottish regiments.

    Here in 1882 you can see that the officers' riding breeches and trousers are made from the heavy stuff used for kilts, with dark colours, and their plaids made from fine lightweight stuff, and lighter colours:



    Here's an interesting modern example. As far as I know, all the British military pipers who wore Royal Stewart (Scots Guards, Royal Scots Dragoon Guards, Royal Scots, Kings Own Scottish Borderers, Black Watch) used the same extra-heavyweight big-sett cloth for their Other Ranks kilts. (The Pipe Majors would often wear civilian-style cloth, a bit lighter weight, a bit smaller sett.)

    If they used Royal Stewart tartan bag-covers they would generally be woven in a smaller sett, and sometimes the plaids would be as well.

    In this photo the 1SCOTS piper on the right is wearing a kilt in the extra-heavy big-sett stuff, with his bag-cover and plaid of the lighter-weight smaller-sett stuff.

    But the piper on the left has his kilt made out of the lighter stuff too. More recent photos of 1SCOTS show all their pipers wearing these lighter-weight kilts, very odd, because the other regiments have continued to wear the traditional big-sett stuff.

    Last edited by OC Richard; 6th April 26 at 07:46 AM.
    Proud Mountaineer from the Highlands of West Virginia; son of the Revolution and Civil War; first Europeans on the Guyandotte

  6. The Following User Says 'Aye' to OC Richard For This Useful Post:


  7. #6
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    Quote Originally Posted by OC Richard View Post
    Right, but say you're going to use finer thread which if you use the same thread-count results in a sett size smaller than you want. So you increase the thread-count to make the sett size come out bigger.

    In other words there's not a one-and-only thread count, there are as many thread-counts as weavers need to generate all the tartan weights and sett-sizes they want to create.

    They keep more or less the same proportions, but not necessarily exactly the same.

    Not being a weaver, the part that I don't fully understand is the number of "reeds" that the tartan will be woven using, which means changing the thread count.

    You see this all over the 1819 Key Pattern Book, because they're weaving the same tartan in different kinds of yarn, and creating tartan for various purposes.
    Perhaps THAT explains (or hints at) why there's both an STA and an SRT and at least one other group that attempts to codify it all (Welcome to the new STA Website)!

    So, if the "sett" defines a tartan, could two different mills use different multiples or additions to the number of threads per stripe, almost of necessity not exact multiples, but still weave tartan that bears exactly the same name in their catalogs? Up until this discussion, my limited comprehension of this was that tartan WAS defined by thread counts and that colors really didn't matter much in comparison. Let's for example discuss a tartan where there are four colors, and the sett is described by a thread count of 2, 7, 13, 5. Pretty hard to make enlargements or reductions in exact proportions.

    I've started reading the stuff on the new STA website, and I've already noticed that "Robertsons" were quarreling with one another even at the very beginning of attempts to use tartan as a property of families!

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