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5th March 16, 06:59 AM
#1
Peter,
Just to confirm that the colors on my screen are accurate, the two photos show red, blue, and black?
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5th March 16, 09:24 AM
#2
Peter,
Your "Both sides of the join." attachment doesn't work for me - maybe that's inhibiting response.
Alan
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5th March 16, 10:32 AM
#3
 Originally Posted by neloon
Peter,
Your "Both sides of the join." attachment doesn't work for me - maybe that's inhibiting response.
Alan
Thanks Alan. Re-done the post and all seems ok now.
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10th March 16, 12:26 AM
#4
The piece is approximately 89 x 40 inches. So what does this tell you/what can you see?
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10th March 16, 03:11 AM
#5
Given the length and width , the large sett ... and that it was joined in an " offset " manner , could this fabric have been a " great kilt " ?
Mike Montgomery
Clan Montgomery Society , International
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10th March 16, 09:25 AM
#6
 Originally Posted by MacGumerait
Given the length and width , the large sett ... and that it was joined in an " offset " manner , could this fabric have been a " great kilt " ?
The simple answer to that or course is that we will never know. It could have been but 40 inches is a tad narrow for a belted plaid and I'm inclined to think it was used differently.
Here's the techy bit.....
• Hand spun and hand woven at 52 epi.
• 20” single width offset with 2 half setts plus G16 R6 G4 R92 plus a 4 band herringbone selvedge mark.
• Naturally dyed: cochineal (red), indigo (blue), plus indigo and an unidentified yellow (green).
• The piece is the remnant of a larger plaid.
• The yarn used to initial and date the cloth differs from that of the actual plaid and indicates that the personalisation was done later than the weaving; i.e. the cloth is older than 1785. I suspect that the skilful overlocking at the fringed ends was done at the same time as the initials and date were added.
• The initials JS probably refer to the owner of the plaid in 1785. Generally initials were feminine and such pieces were done to mark a special occasion. These were often dowry pieces done by a women for their marriage and was something special that they brought to the new home.
Last edited by figheadair; 16th March 16 at 06:24 AM.
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16th March 16, 05:17 AM
#7
 Originally Posted by figheadair
The simple answer to that or course is that we will never know. It could have been but 40 inches is a tad narrow for a betled plaid and I'm inclined to think it was used differently.
Here's the techy bit.....
• Hand spun and hand woven at 52 epi.
• 20” single width offset with 2 half setts plus G16 R6 G4 R92 plus a 4 band herringbone selvedge mark.
• Naturally dyed: cochineal (red), indigo (blue), plus indigo and an unidentified yellow (green).
• The piece is the remnant of a larger plaid.
• The yarn used to initial and date the cloth differs from that of the actual plaid and indicates that the personalisation was done later than the weaving; i.e. the cloth is older than 1785. I suspect that the skilful overlocking at the fringed ends was done at the same time as the initials and date were added.
• The initials JS probably refer to the owner of the plaid in 1785. Generally initials were feminine and such pieces were done to mark a special occasion. These were often dowry pieces done by a women for their marriage and was something special that they brought to the new home.
Peter, based on your comments above (that the initials are feminine and the piece is a remnant of a larger plaid) and based on the cloth's size, I'm going to guess that the piece was presented as a woman's tartan screen (or shawl), since the 1780's is probably too late for it to have been worn as an airisaid. Another guess would be that the piece could have been a bed-hanging.
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