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  1. #1
    Join Date
    7th July 06
    Location
    Roswell, Georgia USA
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    Knowing these little details let's one evaluate the quality of a kilt and it's maker. We become better educated "kiltsumers". Thank you Dr. Tewksbury!
    Convener, Georgia Chapter, House of Gordon (Boss H.O.G.)

    Where 4 Scotsmen gather there'll usually be a fifth.
    7/5 of the world's population have a difficult time with fractions.

  2. #2
    Join Date
    3rd January 08
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    Illinois, USA
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    I knew that there must be a reason for the hemmed section, and now I understand why it is in there. Thanks for teaching me something new today.
    His Exalted Highness Duke Standard the Pertinacious of Chalmondley by St Peasoup
    Member Order of the Dandelion
    Per Electum - Non consanguinitam

  3. #3
    Join Date
    17th July 08
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    Fayetteville, NC
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    I'm getting more and more respect for J. Higgins, the maker of my most recent kilt.
    The pipes are calling, resistance is futile. - MacTalla Mor

  4. #4
    Join Date
    25th September 04
    Location
    Victoria, BC, Canada 1123.6536.5321
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    When the master herself shows you some of those small details that go into a well made Traditional Kilt it inspires me to show you the other side of the coin.

    In making a quality Contemporary Kilt you taper the aprons just as you do in a Traditional Kilt but because the Poly/Cotton fabrics used don't take a compound curve like wool does we have to do things just a little different.

    In the following pictures you can see the apron edge. Note that although tapered the line of the taper is a straight line.

    We also have to hem our fabrics as they do not have a Kilt Selvedge.

    So, the first thing I have to do is lay-out and mark the pleats. I don't have a Sett to follow so the total distance between the pleats is determined by the stiffness of the fabric.

    I lay-out the pleats first because with the large grid on my tables I can insure accurate 90 degree angles of pleat to hem.

    I them mark out the apron edges, Deep and Reverse Pleats. Again, the depth of these is a function of fabric stiffness.

    Now we come to those pesky apron tips. Because I lay-out and hem the fabric before anything else I have to lay-out the Apron Tips at the same time as the Hem so I can sew them all at once.

    Here's what it looks like on the table.



    And here is the same area from the back side. You can see the continuous hem here.



    So what does this look like after the pleats are formed?

    Well, here is the back side of the apron just as it will be when finished.



    No matter if you are making a Full Traditional Kilt or a Contemporary Kilt, if you want it to look good you taper your apron edges and you take care of the apron tips. How that is done is all a function of the fabric.
    Steve Ashton
    www.freedomkilts.com
    Skype (webcam enabled) thewizardofbc
    I wear the kilt because:
    Swish + Swagger = Swoon.

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