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  1. #21
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    Very interesting for everybody

  2. #22
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    Yes, I noticed too that a lot of the "rules" that we worry about now seem to not have been rules at one time.

    A lot of the kilts have pleats coming around into the front, as well as the back. Matt Newsome has already written articles (IIRC) about how kilts weren't always neatly pleated, but simply loosely gathered, as well as the whole drawstring thing.

    Also, I noticed alot of them seemed to be rather short, by our standards. It seems that having a kilt hit you anywhere from mid-thigh to the knee was acceptable.

    It seems that the "rules" about wearing kilts are not quite as strict as one might think.

  3. #23
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    Early Scottish paintings and baseball cards...

    Quote Originally Posted by xena View Post
    Yes, I noticed too that a lot of the "rules" that we worry about now seem to not have been rules at one time.

    A lot of the kilts have pleats coming around into the front, as well as the back. Matt Newsome has already written articles (IIRC) about how kilts weren't always neatly pleated, but simply loosely gathered, as well as the whole drawstring thing.

    Also, I noticed alot of them seemed to be rather short, by our standards. It seems that having a kilt hit you anywhere from mid-thigh to the knee was acceptable.

    It seems that the "rules" about wearing kilts are not quite as strict as one might think.
    I think that if you were to group the pictures by era, you'd see that the gentlemen are dressed very much according to the "rules" of the time in which they lived. Seeing these pictures out of sequence tends to give the impression that there were no standards of dress, in much the same way half a dozen baseball cards from the teens, 30's, and 70's might give the casual observer that there were no "rules" regarding the uniforms worn by ball players.

  4. #24
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    Some several good points so far

    Thanks for posting the paintings!

    I think everyone has valid points, I am by no means an expert, on portrait art or accurate period clothing, but I have always wondered, and this comes to cajunscot's point.

    If you look at paintings of the Rev war, and paintings and tinotypes of the Civil war, most all are idealized. One easy example is the painting of the crossing of the Delaware! I know we all realize that is not at all the way it was. All the continentals decked out in fancy uniforms, nope!

    A painting was contracted for, and took time to produce, it seems all the artist would need is a likeness of the individual, from there, the artist could deck the fellow out any way he liked. This isn't to say that what he was decked out in wasn't true to the time, just perhaps, a bit over the top for the sake of posterity. Then I could be completely off base. I think it better to trust in written accounts then to rely on staged portraits. They do give an idea of what was available, or at least conceivable at the time!

  5. #25
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    Quote Originally Posted by MacMillan of Rathdown View Post
    I think that if you were to group the pictures by era, you'd see that the gentlemen are dressed very much according to the "rules" of the time in which they lived. Seeing these pictures out of sequence tends to give the impression that there were no standards of dress, in much the same way half a dozen baseball cards from the teens, 30's, and 70's might give the casual observer that there were no "rules" regarding the uniforms worn by ball players.
    Good point MacMillan, it would be helpful to know the timeframe for each of the paintings so that we could better tract the changing trends of kilt wear through time. I'm sure that what we consider proper today will in time be judged outdated too.
    His Exalted Highness Duke Standard the Pertinacious of Chalmondley by St Peasoup
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  6. #26
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    A picture is worth a thousand guinneas... if it's by Raeburn

    Quote Originally Posted by Dall_Piobaire View Post
    Thanks for posting the paintings!

    I think everyone has valid points, I am by no means an expert, on portrait art or accurate period clothing, but I have always wondered, and this comes to cajunscot's point.

    If you look at paintings of the Rev war, and paintings and tinotypes of the Civil war, most all are idealized. One easy example is the painting of the crossing of the Delaware! I know we all realize that is not at all the way it was. All the continentals decked out in fancy uniforms, nope!

    A painting was contracted for, and took time to produce, it seems all the artist would need is a likeness of the individual, from there, the artist could deck the fellow out any way he liked. This isn't to say that what he was decked out in wasn't true to the time, just perhaps, a bit over the top for the sake of posterity. Then I could be completely off base. I think it better to trust in written accounts then to rely on staged portraits. They do give an idea of what was available, or at least conceivable at the time!
    One of things that has to be considered is whether or not the picture was painted in the period it represents-- the famous picture of Washington Crossing the Delaware was painted by Emmanuel Leutz in 1851-- or about 70 years after the actual event! The clothing and uniforms may or may not be accurate, but the overall portrayal of the event is wholly imaginary. The same is true of the 19th century "chocolate box" paintings of the Jacobites and Bonnie Price Charlie-- delightful to look at, but not necessarily instructive in terms of historical dress.

    Generally speaking paintings are a better source of information regarding Highland attire than written accounts-- the portrait of Lord George Murray done at the time of the '45 rising is extremely accurate; likewise those portraits of Highland gentlemen tend to be very accurate in the details of clothing-- if you have a copy of The Collins Scottish Clan and Family Encyclopedia by George Way of Plean and Romilly Squire (now of Rubislaw) on page 37 you can see the portrait of James Moray of Abercairney on the occasion of the State Visit of George IV in 1822. Look closely at the sporran, etc. worn in the painting. Now close the book and look at the dust jacket, where you will see photographed the actual items depicted in the painting, accurate to the last detail. Until the advent of photography, paintings and drawings are the most accurate depictions available to us.

    Like Confucius said, a picture is worth a thousand words...
    Last edited by MacMillan of Rathdown; 26th July 09 at 05:49 PM. Reason: correct punctuation for clairity

  7. #27
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    Just another example of glorifying the past, to make the mythology more palatable to those in the present!

  8. #28
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    Anyone have an idea what this one is called? I snapped this from my mobile in an antique shop near Seagrove, FL. I would have loved to have gotten it but they were asking what seemed to be a rather exorbitant amount for it... At any rate, enjoy!

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  9. #29
    Phil is offline Membership Revoked for repeated rule violations.
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    An interesting set of pictures. Is it my imagination or do some seem to be wearing modern-style kilts without the extra material of a great kilt?

  10. #30
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    Quote Originally Posted by SoulFyre777 View Post
    Anyone have an idea what this one is called? I snapped this from my mobile in an antique shop near Seagrove, FL. I would have loved to have gotten it but they were asking what seemed to be a rather exorbitant amount for it... At any rate, enjoy!

    It's a painting from the R. R. MacIan series on highland dress. It's a Robertson.

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