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23rd July 10, 08:03 AM
#1
OK, these pictures just make me antsy. Another week and I can send a payment! Arrrgh.
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23rd July 10, 10:38 AM
#2
 Originally Posted by Mael Coluim
Oh, la,la!
Ditto!
Dee
Ferret ad astra virtus
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23rd July 10, 12:54 PM
#3
"Before two notes of the theme were played, Colin knew it was Patrick Mor MacCrimmon's 'Lament for the Children'...Sad seven times--ah, Patrick MacCrimmon of the seven dead sons....'It's a hard tune, that', said old Angus. Hard on the piper; hard on them all; hard on the world." Butcher's Broom, by Neil Gunn, 1994 Walker & Co, NY, p. 397-8.
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26th July 10, 05:41 PM
#4
I've been busy all weekend, so I didn't see it 'till now. The world's first Stephen-Mathieson kilt! Very impressive! I had been wondering what colour would predominate in the pleating, but I left that in the talented hands of Lady Chrystel.
The real thing looks a whole lot better than my avatar!
Last edited by Gryphon noir; 26th July 10 at 10:37 PM.
EPITAPH: Decades from now, no one will know what my bank balance looked like, it won't matter to anyone what kind of car I drove, nor will anyone care what sort of house I lived in. But the world will be a different place, because I did something so mind bafflingly eccentric that my ruins have become a tourist attraction.
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27th July 10, 12:35 AM
#5
Last edited by Ancienne Alliance; 27th July 10 at 11:04 PM.
Robert Amyot-MacKinnon
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27th July 10, 10:52 PM
#6
Not to belabour the point, but the creation of a tartan with proportions that can be interpreted in different ways was one of the ideas I had in mind for some time.
When I ordered my Hudson's Bay tartan box pleat, Steve Ashton showed me the various ways he could use the pattern for different effects. That bit of education influenced the final design, which had started out in the grand scale of the Matheson but ended up much smaller, yet still keeping references to both Gordon and Matheson. The actual thread count was finessed by Gordon Kirkbright [who designed the Hudson's Bay], as was the exact choice of thread colours.
Presumably, the same tartan could be pleated to have the black or indigo predominate--and of course, the pattern would present in an entirely different way if pleated to say, a kingussie pleat.
{Hmm. I've got a few more yards on the roll.....}
EPITAPH: Decades from now, no one will know what my bank balance looked like, it won't matter to anyone what kind of car I drove, nor will anyone care what sort of house I lived in. But the world will be a different place, because I did something so mind bafflingly eccentric that my ruins have become a tourist attraction.
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27th July 10, 11:02 PM
#7
 Originally Posted by Gryphon noir
Not to belabour the point, but the creation of a tartan with proportions that can be interpreted in different ways was one of the ideas I had in mind for some time.
When I ordered my Hudson's Bay tartan box pleat, Steve Ashton showed me the various ways he could use the pattern for different effects. That bit of education influenced the final design, which had started out in the grand scale of the Matheson but ended up much smaller, yet still keeping references to both Gordon and Matheson. The actual thread count was finessed by Gordon Kirkbright [who designed the Hudson's Bay], as was the exact choice of thread colours.
Presumably, the same tartan could be pleated to have the black or indigo predominate--and of course, the pattern would present in an entirely different way if pleated to say, a kingussie pleat.
{Hmm. I've got a few more yards on the roll.....} 
Lady Chrystel's Kingussie kilts are a dream to wear ... !
I wear mine very often.
I'm sure you have read this already , but I'm putting it in for the rabble :
http://www.lady-chrystel-kilts.com/s...ssie-angl.html
It is a fact that you can have two VERY different kilts with the same tartan.
Don't hesitate, we are at your service, kind Sir.
Best,
Robert
Robert
Robert Amyot-MacKinnon
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