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Thread: Corduroy X-Kilt

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  1. #1
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    Corduroy X-Kilt

    I am probably going to regret this, but I am answering the challenge inherent in these sentences from Alan H's X-Kilt manual: "Corduroy, well.... I haven't made a kilt out of corduroy yet, so I can't comment. If you make an X-Kilt out of corduroy, let us all know how it comes out."

    Went to the store today and picked out the cloth-a charcoal grey medium weight 100% cotton corduroy. The color was per the request of the recipient, an X-marker who shall remain unnamed until the kilt is finished and accepted, at which time, said member can post pictures of the finished product being worn. After today, I am a little more confident that it will eventually be finished, but it's going to take a while.

    Here's the fabric, straight from the store, not yet washed



    A close up to show how this fabric changes with the angle and the light-it's really nice stuff



    I threw it in the washing machine-hot water, plenty of detergent, heavy duty cycle. At this point, I was sweating a little, since the washing instructions on the bolt said "cold wash, gentle cycle", but I figured, if it couldn't stand up to this, it wasn't worth using. Besides, it was on sale for less than $5.00 per yard anyway-I could always start over.


    Here's what it looked like right out of the dryer (cotton/high setting). Note that it is not even very wrinkled.



    In fact, I did not need to iron it prior to measuring and cutting-it smoothed out well just by shaking it out. Besides, my work surface looked like this.



    So, I needed to kick the boy off the table, but he had to finish his homework first.

    More to come...

  2. #2
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    Somthing's missing.... Oh yeah, the martini glass or two! All the power to you F-HCAG

  3. #3
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    Yeah, I decided to do without the alcohol. Don't drink and drive...a sewing machine, that is. For hand stitching, the damage may be minimal, but a sewing machine needle through the finger is not easily forgotten!

    Be well,

  4. #4
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    So, to continue...

    I cleared off my work surface and realized that I had not played with the fabric yet. I did not know if corduroy would rip evenly or not. So, I tried it on the slightly uneven ends.



    Yep, it rips just fine. It does leave a bit of a mess though-all the little bits from when the thread unravels (only a bit though-no straighter line than ripped fabric).



    I ripped both ends off and also ripped them to be perfectly straight. These will be the waistbands.



    Yes, I said waistbands, plural, because, once I finished measuring...



    And ripping out three lengths (the drop of the mystery recipient is 22.5 inches, but I measured 24 inches to make room for a hem and any "slop"), this is what I had left-enough for another X-Kilt for Panache!



    To follow...some of the "complications" of working with corduroy.

  5. #5
    Dreadbelly is offline Membership Revoked for repeated rule violations.
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    I don't know.

    My hands shake some times. From the RA pain and inflamation.

    I've found that one small drink of wine or a bottle of cider actually makes my hands as steady as a rock.

    Which is something I'll have to remember when I get my sewing machine up and running.

    That fabric is beautiful by the way. I'd love to try to make a corduroy kilt.

  6. #6
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    The complications:

    1) I anticipate that when I finally pleat the kilt, I may have a hard time hiding the joins (as Alan H says "...they could buy two yards of the 60-inch wide fabric, cut it in half and sew the halves together, end to end....Well, I'm going to tell you NOT to do that.
    Why? Because it's complicated. You can't predict ahead of time where that seam is going to fall, and it's complicated to design the kilt so that the seam is hidden inside the pleat").

    2) There is the issue of the knap of corduroy being "one way" as the clerk at the fabric store (and O'Neill-thank you!) pointed out. So, if you join it wrong, it looks "upside down" on part of the kilt.

    It is necessary to join fabric when using corduroy, because the lines of the corduroy run the length, not the width of the fabric (if they ran the width, I could follow Alan H's directions to the letter). Unless you can get fabric that is about 140 inches wide, you have to cut sections and join them to get enough to make a kilt. Or, you could make a kilt with the cords running horizontally...which would look very strange, in my opinion.

    So, next is how I joined the fabric...

  7. #7
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    I ripped out three sections of 24 inches from my 45 inch wide fabric and pinned them together (along the selvedged edges-no unraveling at the joins!)



    Sew them up



    With the usual interference from the cat



    But, my first mistake. I sewed a little too close to the selvedge on one section, so it showed on the outside. I'm not sure if this picture shows it well or not.



    So, I ripped out this seam



    More...

  8. #8
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    Quote Originally Posted by The F-H.C.A.G. View Post
    With the usual interference from the cat


    I'm SURE the phrase you intended was "assistance from the cat."


    You know, I just LOVE your sewing travelogues - muitos obrigado!!!

  9. #9
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    I'm going with the F-H.C.A.G. on this one......

    Ya know,

    I have three of the little fur-children and "interference" is most likely correct!

    They also seem to know when there is no fur on something so they 'deposit' some.

    Or sometimes a double shot when they don't really know if there's still fur on something or not.

    Ray
    "There's no such thing as magical ponies!"
    Statement made by pink winged pony
    with crossed axes tattooed on her rump

  10. #10
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    Quote Originally Posted by The F-H.C.A.G. View Post
    The complications:

    1) I anticipate that when I finally pleat the kilt, I may have a hard time hiding the joins (as Alan H says "...they could buy two yards of the 60-inch wide fabric, cut it in half and sew the halves together, end to end....Well, I'm going to tell you NOT to do that.
    Why? Because it's complicated. You can't predict ahead of time where that seam is going to fall, and it's complicated to design the kilt so that the seam is hidden inside the pleat").
    Question; If you are using a piece of solid color cloth couldn't you do some reverse engineering?

    I would start by measuring the apron and under apron and place a pin or in some way mark this point. This is a guide point and will be adjusted later.

    Now move to the seam. In the x-kilt you have 3 inch pleats with a 5.25 under pleat fold before the next 3 inch pleat. I would want the seam to fall as one of the fold lines of the under pleat. These fold lines are 1.25 inches from the 3 inch pleat. Assuming the seam is in the middle of the fabric, I would measure 1.25 inches toward the edge with the apron/under apron mark and mark a pleat edge. Measure 8 inches to the edge of the next pleat. Continue this until you reach the point marked for the apron. Depending on how close your are to this mark you can make the under apron pleat a little larger or start the under apron pleat at the edge of the last pleat and cut the material left over between the apron and the edge of the material.

    Did I just make this very confusing. Basically. Start at a know point, the seam, and measure out in both directions from this point. There will be extra material on each end based on where within the under pleat the seam falls.

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