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  1. #1
    Join Date
    4th September 05
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    Oklahoma
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    Right now you should shoot for slow. Seriously, speeding up too soon is the cause of a lot of troubles for beginning pipers. I know the temptation - it just doesn't sound right to play at 1/2 normal speed - but resist it! 80 bpm in 4/4 is plenty fast at the beginning - concentrate on learning the notes, then the grace notes from each of the main notes, and then the more ornamented embellishments. Get each note into muscle memory before you try to leap out ahead and play like Duncan McGillivray or Kenny Forsyth, or whoever it was that you heard that made you want to learn the pipes.

    Something that helped me was to start by learning slow tunes, so that they were at least semi-recognizable at the speed I had to play back then. It was easier to practice when I could hear a bit of what the music would sound like as I squeaked and honked my way through the tune.

  2. #2
    Join Date
    9th January 06
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    Quote Originally Posted by haukehaien View Post
    Something that helped me was to start by learning slow tunes, so that they were at least semi-recognizable at the speed I had to play back then. It was easier to practice when I could hear a bit of what the music would sound like as I squeaked and honked my way through the tune.
    Totally agree. Another point that works well for me as a beginner: I want to play something as well as just drill on the chanter, and my solution was/is to play recognizable tunes such as Twinkle, Twinkle Little Star and the likes. May sound a little far off from the trad bagpipe music, but it serves well to boost confidence. Paul MacCartney's Mull of Kintyre has bagpipes in, and is simple to play, but yet sooo much in the spirit after having watched the video with the pipers on the beach

  3. #3
    Join Date
    25th August 06
    Location
    South Wales UK
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    Well I'm now placed to start the great adventure too.

    I was recommended "Bagpipes Galore" in the Canongate, Edinburgh so I went there yesterday and bought the chanter. I went for a long wooden model (turned out to be the most expensive but sounded the best) because it also has slightly countersunk holes and felt more comfortable.

    The shop owner played Highland Cathedral on a couple of models at my request too before I made the choice and he also showed me how to hold it and the best fingering positions, couldn't have been more helpful.

    He also demonstrated an electronic chanter (made in Canada) which was very interesting and no blowing is required!

    When I got back to the hotel room I had a quick go on it and managed to make some really dreadful sounds to begin with as how you blow it proved to be fairly important! But within 5 minutes I managed to get out a few bars of Highland Cathedral and all of Amazing Grace!

    Of course it was "playing by ear" but I nonetheless felt quite excited about it.

    This week I will begin going through my College of Piping Course booklets and CD and start doing it properly. Fortunately there is a pipe band in Cardiff and they have a chanter night which clashes with one of my male voice choir practice nights alas so I will have to do a little jiggling of schedules once I have mastered a few basics...
    [B][COLOR="Red"][SIZE="1"]Reverend Earl Trefor the Sublunary of Kesslington under Ox, Venerable Lord Trefor the Unhyphenated of Much Bottom, Sir Trefor the Corpulent of Leighton in the Bucket, Viscount Mcclef the Portable of Kirkby Overblow.

    Cymru, Yr Alban, Iwerddon, Cernyw, Ynys Manau a Lydaw am byth! Yng Nghiltiau Ynghyd!
    (Wales, Scotland, Ireland, Cornwall, Isle of Man and Brittany forever - united in the Kilts!)[/SIZE][/COLOR][/B]

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