-
29th June 09, 10:24 AM
#31
 Originally Posted by Ted Crocker
Anyway, I still think the movement of the pleats has a lot to do with the slight springy-ness of the fabric.
You must be correct. If the fabric were infinitely not springy (therefore, totally rigid), wouldn't swing be affected? Likewise, if the fabric were infinitely springy (therefore, totally 'plastic', not elastic), wouldn't swing be affected?
-
-
29th June 09, 10:33 AM
#32
 Originally Posted by The Guy in the Kilt at UC
I'm sorry to say that it is not that simple (though it may be very close). The problem is that each pleat is coupled to another on each side. What you will need to do is find (one of) the natural frequencies to find maximum swing. This will depend on the number of pleats. Also it will depend on the size of your seat. Because your curvature will ensure that they are not swinging in the same direction. That is, they will want to swing left & right in back as you look at it straight on, but they will want to swing back & forth on the sides as you look at it straight on (albeit a much smaller swing). I imagine that things such as the weight of the wool will not matter much if you can make a generality.
I think I just found something to procrastinate with today.
Connecting the pleats and assuming that they swing in different directions doesn't change the resonance, just the dampening. The period of a pendulum tied to another pendulum of equal length will result in a system of pendulums with the same frequency. If you weave them together, they'll dampen each other, but it won't change the frequency they prefer.
Airman. Piper. Scholar. - Avatar: MacGregor Tartan
“KILT, n. A costume sometimes worn by Scotchmen in America and Americans in Scotland.” - Ambrose Gwinett Bierce
www.melbournepipesanddrums.com
-
-
29th June 09, 12:53 PM
#33
I haven't gotten back to working on the acrylic kilt, I was working on the wool StillWater, but I did see some promising results with a strip of light weight hair canvas interfacing the pleats from the inside part of the fold. Just a strip of hair canvas, slightly wider than the pleat reviel, hanging there and attached at the top where the fell steeking would be.
I am guessing that the kilt would need to be lined or the hair canvas strips lined, at least. Also that a very loose stitch be put in the canvas to the pleat to keep it from moving too far out of place.
If the kilt were being hemmed a bit, it would take care of some of that I think, but the canvas strip has to be free to move a little. The pleat has to be able to float over the canvas a bit, though the canvas does grab the fabric just a little.
The hair canvas along the leading edge of the pleat seems to help the acrylic behave more like wool, so...
I tried to ask my inner curmudgeon before posting, but he sprayed me with the garden hose…
Yes, I have squirrels in my brain…
-
Similar Threads
-
By Panache in forum Show us your pics
Replies: 19
Last Post: 23rd September 08, 12:00 PM
-
By AtagahiKC in forum Professional Kiltmakers Hints and Tips
Replies: 19
Last Post: 13th December 07, 11:16 AM
-
By David Dalglish in forum Show us your pics
Replies: 14
Last Post: 15th July 06, 02:39 PM
-
By Riverkilt in forum General Kilt Talk
Replies: 18
Last Post: 21st October 04, 08:23 AM
-
By GMan in forum General Kilt Talk
Replies: 9
Last Post: 10th July 04, 08:38 AM
Tags for this Thread
Posting Permissions
- You may not post new threads
- You may not post replies
- You may not post attachments
- You may not edit your posts
-
Forum Rules
|
|
Bookmarks