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11th January 11, 08:35 PM
#11
Very impressive. Thanks for sharing the link with us.
His Exalted Highness Duke Standard the Pertinacious of Chalmondley by St Peasoup
Member Order of the Dandelion
Per Electum - Non consanguinitam
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11th January 11, 10:39 PM
#12
[SIZE="2"][FONT="Georgia"][COLOR="DarkGreen"][B][I]T. E. ("TERRY") HOLMES[/I][/B][/COLOR][/FONT][/SIZE]
[SIZE="1"][FONT="Georgia"][COLOR="DarkGreen"][B][I]proud descendant of the McReynolds/MacRanalds of Ulster & Keppoch, Somerled & Robert the Bruce.[/SIZE]
[SIZE="1"]"Ah, here comes the Bold Highlander. No @rse in his breeks but too proud to tug his forelock..." Rob Roy (1995)[/I][/B][/COLOR][/FONT][/SIZE]
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14th January 11, 02:00 PM
#13
In order to make it easier for the funeral procession to stay in-step, the tunes (which are actually traditional waltz-time 6/8 slow marches) were rewritten as 4/4 quick marches. I don't think you'll find them played anywhere else in this way.
The massed bands practiced playing nothing else except Oft in the Stilly Night which they played later) for a solid week. What an amazing sound
Last edited by ANCIENT OGILVIE HUNTING; 14th January 11 at 04:39 PM.
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14th January 11, 02:26 PM
#14
 Originally Posted by ANCIENT OGILVIE HUNTING
In order to make it easier for the funeral procession to stay in-step, the tunes (which are actually traditional waltz-time 6/8 slow marches) were rewritten as 4/4 quick marches. I don't think you'll find them played anywhere else in this way.
The massed bands practiced playing nothing else exept Oft in the Stilly Night which they played later) for a solid week. What an amaing sound
Really? Sounds like the standard 6/8 setting of Mist Covered that I play
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14th January 11, 03:52 PM
#15
Yep, that's what it sounded like to me as well castledangerous. Step on beats 1 & 4, just like any other 6/8 march. The drums have simplified their parts, probably due to different scores for each regiment. Bass & tenors beat on 1 & 4, the snares are doing a simple 7-count roll with a one beat rest.
Usually, those slow marches are played at the halt, not on the march, so it seems they've been sped up a little bit to accommodate a decent marching tempo. It also sounds like the pipes are really emphasizing the dot and cut of each tune, also probably due to different scores.
John
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14th January 11, 06:59 PM
#16
We play those as 6/8's as well, but I agree with Ogilvie that they're playing it in standard time. The foot beats are in the same place as if played in 6/8, but the idiom is 4/4. As you say, EagleJCS, the pipes are emphasizing the dot and cut so much, and I would say so much that the idiom has changed. At least that's how I hear it.
"Touch not the cat bot a glove."
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14th January 11, 09:35 PM
#17
 Originally Posted by Macman
We play those as 6/8's as well, but I agree with Ogilvie that they're playing it in standard time. The foot beats are in the same place as if played in 6/8, but the idiom is 4/4. As you say, EagleJCS, the pipes are emphasizing the dot and cut so much, and I would say so much that the idiom has changed. At least that's how I hear it.
Nah
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