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  1. #1
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    Quote Originally Posted by Phil View Post
    What is interesting from the pictures posted, however, is the sheer variety of the Victorians' dress which indicates that there was actually a great deal less conformity then than there is now.
    One thing I like about photographic documentation versus painted portraiture when establishing "how it was done" is that with portraiture there is always a degree of uncertainty about how the artist translated what they were seeing into the picture.

    Most of us can spot the differences between knife pleats, box pleats and Reverse Kingussie (for instance), but a portrait painter may or may not have portrayed it accurately.

    More specifically to Phil's comment, that's very insightful! The farther we are -- geographically, in time, or culturally -- from "how it was done," the fewer examples we have to draw upon to determine what's "right." Seeing these old photographs (and the coloured cuts that were done by one familiar with the topic) definitely opens up a lot of interesting discussions about how it's done now.

    :ootd:
    Dr. Charles A. Hays
    The Kilted Perfesser
    Laird in Residence, Blathering-at-the-Lectern

  2. #2
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    Quote Originally Posted by Old Hippie View Post
    One thing I like about photographic documentation versus painted portraiture when establishing "how it was done" is that with portraiture there is always a degree of uncertainty about how the artist translated what they were seeing into the picture.

    Most of us can spot the differences between knife pleats, box pleats and Reverse Kingussie (for instance), but a portrait painter may or may not have portrayed it accurately.

    More specifically to Phil's comment, that's very insightful! The farther we are -- geographically, in time, or culturally -- from "how it was done," the fewer examples we have to draw upon to determine what's "right." Seeing these old photographs (and the coloured cuts that were done by one familiar with the topic) definitely opens up a lot of interesting discussions about how it's done now.

    :ootd:
    I had written about the artist, Kenneth MacLeay in other posts before, but in short he was commissioned in 1869 by Queen Victoria to paint a series of 31 paintings of her Highland retainers at Balmoral. These men were selected by the Chiefs themselves. The works created quite a sensation in their own time, and were published in book form in 1870.

    For more on the authenticity of said paintings, I'd direct you to this quote on the subject by Matt Newsome (found at: Kenneth MacLeay
    Quote Originally Posted by M. A. C. Newsome View Post

    First, the MacLeay prints should not be considered in the same category as the MacIan prints. (For those unfamiliar with the portraits painted by Kenneth MacLeay, click here. The MacIan prints are very famous, but if you are not familiar with them, either, you can see them here.)

    Robert MacIan attempted to depict Highland dress from various different time periods and various walks of life. Generally, the further back in time from the 1840s when he made these portraits, the less accurate and more fanciful his depictions are. Not that they are not great pictures, but they simply cannot be relied upon for accurate information on Historic Highland Dress.

    MacLeay, on the other hand, was commissioned to make his series of portraits in 1870 and depicts actual contemporary dress -- he was working with real models, and his attention to detail is fantastic. We have every reason to assume that he accurately depicted what his models were in fact wearing. So I would say his work is very useful for telling us what was worn in Highland Dress in 1870.

    And looking at his work, one does find hair sporrans being worn both formally and casually.
    Somewhere I have a wonderful print of William MacDuff (gameskeeper) in his everyday wear, as depicted by MacLeay, but cannot locate the scan at this time. So instead I'll direct you to this thread: William MacDuff

    Enjoy!
    [SIZE="2"][FONT="Georgia"][COLOR="DarkGreen"][B][I]T. E. ("TERRY") HOLMES[/I][/B][/COLOR][/FONT][/SIZE]
    [SIZE="1"][FONT="Georgia"][COLOR="DarkGreen"][B][I]proud descendant of the McReynolds/MacRanalds of Ulster & Keppoch, Somerled & Robert the Bruce.[/SIZE]
    [SIZE="1"]"Ah, here comes the Bold Highlander. No @rse in his breeks but too proud to tug his forelock..." Rob Roy (1995)[/I][/B][/COLOR][/FONT][/SIZE]

  3. #3
    Phil is offline Membership Revoked for repeated rule violations.
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    Quote Originally Posted by BoldHighlander View Post

    Somewhere I have a wonderful print of William MacDuff (gameskeeper) in his everyday wear, as depicted by MacLeay, but cannot locate the scan at this time. So instead I'll direct you to this thread: William MacDuff

    Enjoy!
    One feature that comes through strongly is the abundance of facial hair. I see Willie MacDuff isn't wearing a sporran but from the looks of his jacket uses his pockets instead. No doubt full of all kinds of fishing lures!

  4. #4
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    Quote Originally Posted by Phil View Post
    One feature that comes through strongly is the abundance of facial hair. I see Willie MacDuff isn't wearing a sporran but from the looks of his jacket uses his pockets instead. No doubt full of all kinds of fishing lures!
    Ah, those were the days when the ghillies were ghillies and the salmon were actually there to be caught!

  5. #5
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    Just adding a couple of my other favorite paintings from the Victorian era:

    Queen Victoria & John Brown:


    Queen Victoria, Prince Albert and royal retinue fording the River Tarff in Glen Tilt, painted by Carl Haag in 1861:


    Is it just me or does that look like John Brown leading Victoria's horse across (between Victoria & the horses head)?
    [SIZE="2"][FONT="Georgia"][COLOR="DarkGreen"][B][I]T. E. ("TERRY") HOLMES[/I][/B][/COLOR][/FONT][/SIZE]
    [SIZE="1"][FONT="Georgia"][COLOR="DarkGreen"][B][I]proud descendant of the McReynolds/MacRanalds of Ulster & Keppoch, Somerled & Robert the Bruce.[/SIZE]
    [SIZE="1"]"Ah, here comes the Bold Highlander. No @rse in his breeks but too proud to tug his forelock..." Rob Roy (1995)[/I][/B][/COLOR][/FONT][/SIZE]

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